Special Guest Patty Jansen on Sci-fi and her sale to Analog Magazine

See below for links to Patty's workG’day, g’day,

I hope 2012 is treating you well. It’s been a great start to the year for me, with my story ‘Sayuri’s Revenge,’ accepted for publication in Tales from the Bell Club, to be published later this year. This is my first overseas publication.

Another exciting thing for me has been the beginning of GC Speckies, a sci-fi, fantasy, horror, animae appreciation group. It’s been one of my dreams to get a fan group going on the Gold Coast, so we’ve done it! We meet the third Sunday of the month, in Ashmore. If you’d like to come along, please contact me.

Now, I’m stoked to have an interview with Patty Jansen to share. I got to ask her all those personal questions I like to ask authors (but if you ask them in person sometimes they go into shock!), and she’s given some great advice. I’m sure she’d be happy to answer any questions you’d like to ask her.

Patty has a story coming out soon in Analog Science Fiction and Fact. She’s a member of SFWA and has sold fiction to Redstone SF and the Grantville Gazette. She was a winner of the Writers of the Future contest.

Helen: Hi Patty, and welcome to my blog! From your career, working as a scientist, I can see that science has always been important to you. What sort of science intrigues you most?

Patty: I am very much a hard sciences person. I try to remember that social sciences are science, too, but have to admit that part of me is always going to be only pretending to believe that. I lean towards the biological sciences. I am terrible at maths, which makes my recent fascination with astronomy frankly quite scary. When reading up for worldbuilding and the like, my reading very quickly gets to the level of scientific publications, because I’m used to reading them, and I know how likely error or reader bias gets introduced in citations of citations.

Helen: That’s great that you didn’t let the maths hold you back! Can I ask what drew you to writing and what do you love about combining science and fiction?

Patty: Imagine a person interested in hard sciences, but that same person has somehow been born with an ability to ‘feel’ the structure of language. That would be me. I worked in sciences, but was not going to make any great new discoveries. I found I was much more interested in the communication of science. Science Fiction is often seen as a vehicle to predict the future (and getting it wildly wrong). I think the real value of Science Fiction is that it makes abstract science visible, and that it inspires, rather than predicts.

Helen: Wow. Science Fiction is inspiring. What piece of writing do you feel is your best?

Patty: All of them ;-) Joking aside, there are different aspects I love best about every piece I have written. If it doesn’t give me some sort of thrill to re-read, I know it’s not working. It could be purely emotional. For example the emotions in my kids book The Far Horizon slot together perfectly. Similarly in my story Where the Plains Merge into the Sky (Scapezine issue 2), a fairly standard situation came together beautifully, of a girl trying to comply with family expectations, and failing miserably. I love the space-operatic social worldbuilding in Watcher’s Web, and the hard SF world in my ISF/Allion universe, in which my novelette His Name In Lights is set. I’m quite happy with the way one of the societies in my Icefire trilogy sciencifies fantasy. People would have this approach to magic, if magic existed. They would try to quantify it, and work out some ‘if I poke here then this happens’ kind of formulas. That is all Newton did. Observe, calculate, reproduce, check. Oops, went off-topic a bit.

Helen: What writing achievement are you happiest about?

Patty: I read through these questions a few days ago, and was going to say winning the Writers of the Future contest and going to their workshop in Hollywood, but then I sold a story to Analog. I can’t believe I’ll be one of the very, very few Australians to grace these august pages. I love Analog. It’s the only magazine that gets unwrapped and read the moment it hits my letterbox.

Helen: Congratulations! That’s awesome. I also wanted to ask, what’s your favourite book and/or author? What genres do you love to read?

Patty: I’m a very big fan of C.J. Cherryh for her realistic alien characters. She is my all-time most favourite author. I love Stephen Baxter for the meticulous research he puts into his books. Also Alastair Reynolds for grand ideas, and he’s just an all-round cool guy. In Australia, Sean Williams. My main preferred genres are hard SF and space opera. Unfortunately, there is not an awful lot of that being published in Australia.

Helen: I love Sheri Tepper for her realistic alien characters:) Now, I know you’ve been involved with the Speculative Fiction community in Australia, such as the Andromeda Spaceways Co-operative. What has been the most enjoyable activity you’ve been involved in?

Patty: Oooohhh, that’s a hard one. I always like connecting with fellow writers. Cons are fun purely for the social aspect. As for the most awesome, I’m going to pick Worldcon in Melbourne. But recently I also enjoyed going to the NSW Writers’ Centre SpecFic day. This is an awesome, activity-packed event. Thanks so much to Kate Forsyth for organising. Writing is a lonely business. Even ‘locals’ in Sydney live spread out over the metropolitan area, and most live around the edges. It’s not easy to meet local writers in Sydney.

Helen: What advice would you give to writers getting started today?

Patty: A few things:
You’re never going to get published if you don’t submit.
There is no one right path to publication.
Allow time for your skills to develop. A beginning musician doesn’t expect to be accepted into the Symphony either.
Even the big-name writers get rejections.
Know your stuff. Not just writing skill, but know what the story is about, know the facts about the subject of the story.

Helen: Great advice. It was great to meet you at Conflux last year. What was the best part of the convention for you. (Apart from meeting me, of course.)

Patty: I’m actually going to mention something that didn’t take part at the con per se, because you already know I enjoy meeting other writers. On the Monday, a couple of ASIM buddies decided to make a quick trip to the Canberra Deep Space Tracking Station, also known as Tidbinbilla. There is a visitor centre onsite that’s well worth a visit. That visit was incredibly awesome (thanks, Simon Petrie), but it had a tail. Being interested in astronomy, I figured, when I got home, that they might have a blog, Facebook or Twitter account that I could follow. Not only was that the case, I also saw that they were days from registering for Australia’s first-ever Tweetup. Tweetups are PR events organised by NASA, where usually 50 lucky individuals get the chance to look behind the scenes and talk to interesting people. I applied. I got in. So in November, I spent an incredibly wet weekend amongst telescopes talking astronomy and science and watching the Mars Curiosity rover liftoff, and talking to some of the scientists involved in this giant project.

Helen: That must have been wonderful. You lucky thing! Next, could you compare the benefits/drawbacks of publishing overseas and in Australia?

Patty: It really depends on what your aims are. There are some great Australian magazines and anthologies. But if you want to publish on a pro level, you really have to go overseas. The only Australian pro market is Cosmos, and they will only take stories under 4000 words. Guess how many of those I write?

Even if you start submitting in Australia, you will fairly soon run out of markets. I’ve not found there to be huge differences between Australian or overseas markets. They’re both at the end of an email address. They’ll both require some edits. An overseas market may Americanize (urgh, don’t believe I wrote that, must go wash the keyboard now) your story. Or it may not.

Helen: Ha-ha! The zeds make me shudder, too! Thanks for telling us all, Patty. It was great to have you share your experiences.

Below are links to Patty’s stories. She self-publishes longer works and is completing the third book in her Icefire trilogy, a dark post-apocalyptic steampunk fantasy.

See her website, blog, Amazon, or Smashwords page for more details.

This has been my first blog interview, so let me know if you liked it or abhored it.

Have a great future until I see you next!

Helen


Where is Rainbow? A Diamond Loveheart Star story

Hello,

Here is the first book created by H.K & J.Z Sparkle. I’m the first nom de plume, there. J.Z is the five-year-old illustrator and creative influence. She invented Diamond Loveheart Star, I think, and also had some direction in the story line.

The slideshow below is not ideal, but might work best in fullscreen and if you pause it so you can move on at your leisure. If it has already moved on, the first slide should be the cover, which is also above.

Thanks for reading.

In other writing news, I got my copy of Midnight Echo 6 in mail today. My story is really in there! You can read part of my story here. If you love it you can buy a copy from the Australian Horror Writers’ Shop.

Hope you enjoy!

Helen and J.Z

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Christmas, Midnight Echo 6, Reading and Writing

Be warned this might be the worst (or best) blog ever, because I’m gunna jump from Christmas to Midnight Echo to Work In Progress to Reading to Talking about Your Writing and then to The End.

CHRISTMAS

I’m dreading Christmas. Firstly, we need to change the name. We should change it to Give the Kids Too Many Presents, Give the Adults Useless Shit They Don’t Want and then Eat Until You Vomit Day. We can abbreviate that to GKTMPGAUSTDWEUYVD. That’s the hashtag, folks. #GKTMPGAUSTDWEUYVD   … Hey cool! I got Aust in there without even trying. Here’s to not trying.

CHRISTMAS FANTASY

My ideal Christmas: I get to sleep in. Someone makes me a coffee and brings it to me in bed. Eventually we all slither out to the Christmas Tree (wow, it survived in my fantasy!) and open a small present or two; exactly what each of us wants, because we can read each other’s minds (this could be problematic at other times). Some friends/family drop in. No one expects to be fed a dripping messy feast. There’s some swimming; idyllic splashing and tittering of children. Semi-clad well-muscled man-servants deliver salad sandwiches on multigrain while I recline by the pool sipping lychee martinis and chatting with friends. And maybe family, so long as no one mentions Julia Gillard. And when night comes the children fall asleep in our arms as we sing old favourites around a camp fire. I don’t know if that’s perfect, but it would be a darn sight better than the usual hoo-haa. Is that a thing? A darn sight?

MIDNIGHT ECHO!

ME

Midnight Echo Six is here!

Here is the link. You can read an interview with me (I probably sound very silly) and the beginning of my story Surgeon Scalpelfingers. You can buy a copy of Midnight Echo for the bargain price of $10 plus pottage or postage or whatever. I can’t wait until my contributor’s copy arrives in the mail.

http://midnightechomagazine.com/2011/11/20/midnight-echo-issue-6-interviews-helen-stubbs/

WORK IN PROGRESS

In writing I’ve been working on short stories for Dark Faith 2 and Bloodstones. I’ve been trying to come up with a great sci-fi story to submit to Cosmos, as I told Cat Sparks I’d send her one, though I’m fairly confident she’s not checking her inbox going, ‘Where’s the story that lovely young Helen promised me?’ I’ve tried out a few concepts but nothing good enough has materialised. I’ve considered doing a maths degree but that might be an extreme course of action.

READING

I’ve been doing a lot of reading. I’ve read the Time Traveller’s Wife, The Courier’s New Bicycle, A Song of Fire and Ice, all of which were great in different ways. I’d love to get stuck into writing a novel, too, but I don’t feel I have enough time to throw at it at the moment. Short stories are more achievable. I’ll see how mothering commitments pan out next year, and if it looks like I have sufficient chunks of time I’ll get stuck into it.

My favourite character in A Song of Fire and Ice was Daenerys. She’s sweet, tough, human and she suffers but just rolls with the blows. What a girl/woman/whatever.

TALKING ABOUT YOUR WRITING

Isn’t it hard? I love to talk about my writing, but I usually have something planned to say. It might be what I have coming out, or the name of the anthology I’m writing for, or the premise I’m working with, if I’m really chuffed with it or I’d like to test the waters to see if the person I’m talking to likes the sound of it or if their eyes glaze over and they nod off. Or I might talk about a writer’s meeting I’ve just attended or a convention I’m going to and the crazy goings on there.

Sometimes my brain stalls … maybe because I go into my writing zone, which is all to do with my fingers and not my mouth.

Writers need to be able to talk about their writing, if they are writing for others and not just themselves. It’s an important way of connecting with people, both seeking an audience and to develop ideas. I feel most comfortable talking to The Splinter Group about what I’m working on, as they really seem interested and make great suggestions in a supportive way. They’re used to my far-fetching imagination.

I think it’s easy to be scared that someone will think your idea is stupid. I really admire authors who can make completely bizarre storylines and creatures seem entirely real. What reads well on the page might not sound good coming out of your mouth when you’re still forming your story. No idea is stupid.

Another concern I have when talking about my writing is giving away too much, and so ruining the story were the person to read it. I never worry about people stealing my ideas, because ideas appeal to different people, and everyone executes ideas in an individual style.

MOVIES

I’ve seen two movies this weekend, Attack the Block and the Ides of March. They were both good but I liked the action and aliens of Attack the Block better. Drama feels too grown up for me. I go to the movies (and read) to escape to more exciting worlds. Attack the Block was more of a feel good movie, too. The character relationships and growth were much more positive. It left me with a warm fuzzy feeling. I got free tickets from the Australian Horror Writers Association, but I don’t think that’s biased me.

THE END is coming

You were warned. This blog was all over the place. I can’t believe you read it all. You deserve a medal. Great work! Excellent. Ten out of Ten. Times like this, I miss school.

Merry #GKTMPGAUSTDWEUYVD

Helen.


Magic Possibilty Putty

This week I’ve been letting two stories settle. You know, that period of a week or so where you don’t look at it so when you do look at it again it surprises you with its brilliance and/or holes, errors…etc. I’ve also asked a friend to look over one, and I’m looking forward to hearing what he thinks. I find other people always come up with things I’ve missed, or great suggestions for enhancements. I want to swap the Bell Club one, too. That’s not due for a while yet.

I’ve also been researching quantum physics, which has been fun. I want to write a story involving those other dimensions. I’m not sure if I can pull it off, because I need to find where the science can end and my imagination start. Bummed that I couldn’t find my New Scientist issue that had an article about dimensions and quantum stuff. Will see what I can find on the NS website.

I’m toying with a few different plot ideas… :D   I like that part of writing; holding that magic putty of possibility in your hand, before it collapses into a known state.

As for reading, I’m still in the middle of The Princess Bride. There’s no rush with that as I’ve seen it a million times. I think I’ve read most or all of Winds of Change (it’s a bit hard to tell, as I’ve read the stories out of order), and I’ve loved it. I don’t think I’m biased because my story is in there. I feel humbled because the other stories are so great. I love the combo of sci-fi, fantasy and horror, and the openness of the theme; the diversity of the work. I’ve leant/sold a few copies to friends. I hope they like it, too.

I’m also reading Tracey O’hara’s ‘Death’s Sweet Embrace’ and Kim Westwood’s ‘The Couriers New Bicycle,’ a couple of my Conflux finds.

Speaking of Conflux, here are my belated highlights. Seeing friends from Vision and Aussiecon, and meeting tweeps I’ve been following for ages. Also, listening to Tracey O’hara, Erica Hayes and Jane Virgo read from their erotic stories–these ladies create razor-wires of tension! Also, hearing Kim Westwood speak with such emotion about her novel; attending Dawn Meredith’s and Gillian Polack’s launches, and of course the Winds of Change launch at which I read with Caroline jumping up from the audience to read the role of the midwife. [Pause for breath]… Being on a panel with writers way out of my league was really cool too, thanks to all of them and especially Cat Sparks the moderator for being gentle with me:) The Graf Zeppelin dinner was fantastic, too. Fruit and sherbet as an entrée, whooda thunk it?

I’d like to bottle the positive energy at sci-fi conventions and sprinkle it over the grumbling world at large.

Over and out.

Helen


Caroline, Canberra & Conflux

Am all packed for Conflux! I’ll get into Canberra late tomorrow night and my lovely friend Caroline (who is engaged to be married to Jason) is picking me up so I can stay with her for two nights, before the convention begins.

It’s taking much effort to keep a rash of exclamation marks out of this post.

I’ve signed up for workshops with Nicole Murphy, Jack Dann and Gillian Pollack, though I was tempted by the staff-fighting one. Have done a bit of Shorinji Kempo staff fighting in my time, but thought a broken nose might be a bad look for the BOOK LAUNCH. Did she say ‘book launch’? Oh yes she did. The launch of Winds of Change is on Friday night. See, no exclamation mark. So cool.

Here is the trailer.

Just feel a tiny bit scared of reading. But I like doing readings. And a bit scared of being on a short story writing panel with great writers Kaaren Warren and Jack Dann. And hoping someone (anyone?) comes to my kaffeeklatch on Sunday morning.

In writing, I’ve just finished and submitted a story for Apocalypse Hope. I really enjoyed writing it. It’s about a she-robot named Krintarian who is responsible for arranging the production of new humans, after the death of the human race. I really like Krintarian. The story, Enlightenment, is also about how A.I. grows up, after the takeover. It’s possibly a bit too preachy, but it’s good that I like it as a story. I find that often I don’t like my stories. Mostly I feel that I should have done better … but this one makes me happy.

See ya,

Helen.


Amica, the Centaur and the Right End

Well, I’m still working on my Centaur story, and it’s gotten better. My main character, Amica, has become proactive about arranging the end she wants. I’m not entirely happy with it yet, but it’s getting there.

I had a revelation at Katherine Howell’s tute today, that Amica was too passive. It is important that the main character is active in bringing about the final events. I guess the main character is the string that ties it all together. If events are just happening randomly around them, then that’s like bricks floating in the vacuum.

I’m still a bit concerned about undertones of bestiality. But that didn’t seem to worry the gods in ancient mythology.

G’night.


The Coral Sea Monster

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This is the book we wrote yesterday from scratch to completion, The Coral Sea Monster.

It’s 16,600 words long.

When an OceanWorld truck rolls on the freeway at Pimpama, Jack, the sheep shearer from Thargomindah (I couldn’t spell that place yesterday morning) and Penny, the wanna-be podiatrist from Brisbane, do everything they can to help the Monster escape from the evil curator, Lionel Measly.

I found the experience fun at first, then stressful at the last (entering edits — aurgh). But I’m stoked with the effort we made and the book is beautiful. I’m up for doing it again next year.

We can still accept sponsorship until August 30th. It all goes to the Royal Queensland Hospital Foundation. Here’s the link: http://www.writeabookinaday.com/welcome/welcome.html We are Prana Writers : )

Thanks again to everybody who sponsored us and participated.
Helen.

PS. There are more photos and blog stories about the day at Angela Sunde’s blog http://angelasunde.blogspot.com/ and Janis Hanley’s blog http://wp.me/p1DuMB-1q


Racism and PC in Steampunk and Spec Fic

This blog is to put my two bits in a conversation on the Vision list. We were discussing to what extent (or even if) considerations of stereotypes and concepts of Polictical Correctness apply within our genres.

This is a public forum, so we’re wearing our opinions on our hats like that game where you have to guess who you are. Actually, maybe not so public if only I read my blog :)

What I love about Spec Fic is that you can push the boundaries to anywhere. You can have women that are men, or both, and anything in between. On the other hand, you find many total stereotypical characters in some works (the manly men and busty heroines or weak damsels) and exploitist fantasies played out across whole societies. Then you’ve got parts of the audience (and writers, too?) who are just there for the explosions. I love that diversity.

Just gunna make three points.

1. Stereotypes make annoying characters. In spec fic, I am interested to read about different races/cultures/sexes both real and invented. If you write about real ones I think you should consult with people from those groups for both authenticity and fairness. (Was that one point or two?) If they say ‘Don’t touch this,’ I think you should follow their wishes, or try to find someone from that group who will collaborate with you.

2. As writers and creative individuals we can invent the future. Yet, our words might not be used as we plan, Eg. Jesus.

3. ‘PC’ was (in the 70s?) used tongue-in-cheek to mock the political appearance of fairness, Eg. the token woman on the board. What we’re really talking about is giving the under-represented a fair go.

I’m still struggling with Steampunk, but there does seem to be a lot of whitey-white skin. I say shake it up.

Debate away. I love hearing these debates :)

Helen


Winds of Change and Raising Money for Sick Kids

Hello World,

This is a really long blog, so if you just want to read about the fundraiser, skip down down down.

I’m stoked to be able to share the press release for the new Anthology Winds of Change! Here ’tis, below.

CSFG Publishing is proud to announce the contents of its ninth anthology, Winds of Change, a flurry of fresh fantasy, science fiction and horror, to be launched at Conflux on Friday, 30 September 2011 in Canberra.

From the first roiling dust clouds, Winds of Change draws the reader in with tales of darkness and horror, of wonder and hope. Twenty four authors demonstrate the vitality and diversity of the current Australian speculative fiction scene. Editor Elizabeth Fitzgerald has put together a thought-provoking anthology that you’ll want to read in a single sitting, but which will also reward a second, more leisurely visit.

Winds of Change includes stories by popular speculative fiction authors Nicole Murphy (Dream of Asarlai series), Alan Baxter (Realmshift, MageSign) and Queensland author Helen Stubbs, as well as showcasing a range of new Australian talent. The table of contents is attached.

Based in Canberra, CSFG aims to assist science fiction, fantasy, horror writers and illustrators Australia-wide to develop their craft through workshops, critiquing and sharing news and experiences. CSFG publications can be obtained through select bookshops.

Table of Contents.

Winds of Change

Edited by Elizabeth Fitzgerald

Stories and authors:

Wraiths by Jason Nahrung

Gravity Express by Naomi Mondello

Time Capsule by Tsana Dolichva

The Tether of Time by Leife Shallcross

Trigger by Zena Shapter

Babel by Robin Shortt

Saint Olivia’s Light by Carol Ryles

In Need of Assistance by Chris Andrews

After the Bombs by Adam Tucker

The Horns of Elfland by Crisetta MacLeod

Time Spent by David Coleman

Soul of the Machine by Maxine McArthur

Dream Shadow by Alan Baxter

Giant by Annelise Roberts

Evolution Baby by Lesley Boland

The Princess by Valerie Y.L. Toh

Children of the Ashes by Greg Mellor

By Watcher’s Pool by James Goodrum

Turning the Blood by Donna Maree Hanson

Watching by Nicole R Murphy

The Stormchilds by Helen Stubbs

The Fool by Jane Virgo

Dragonfly by Cat Sheely

Stone-singer by Joanna Fay

On a different topic, my writing group, Prana Writers, is doing a fundraiser.

Prana Writers are really excited to be embarking on the Book In A Day challenge on 14th August! On that day our team will plan, plot, write, illustrate, edit, print and bind an 8000 word book, all to raise funds for the Queensland Royal Children’s Hospital.

We’re the only group currently registered in Queensland, so we hope to raise as much as possible for the kids. We’re all parents, so this cause is close to our hearts, and every few dollars helps. It will be fingers down, laptop screens up! But I reckon we can do it.

At 8am on 14th August the team will be emailed a random setting, two human characters, a non-human character, an issue and five random words. The 8000 word story must be written using these, then emailed to the judges by 8pm the same day.

All funds Prana Writers raise, and a copy of the complete book, will be donated to the Queensland Royal Children’s Hospital Foundation.

To sponsor this cause, donations can be made online by credit card and it’s tax deductable.

http://writeabookinaday.com/welcome/donationhospital.html

Just select our hospital – Royal Children’s Hospital Qld and the group, Prana Writers.

Thanks for reading and have a great day!

Helen.


Warm Fuzzies and Gadolinium

I’ve eaten too much junk food today, and all my stories are making me cranky, but I just had a rush of warm fuzzies because my friend Nicola Tierney has started a new blog. She’s a member of Prana Writers and a model builder. Speaking of Prana Writers, we had a great meeting on Saturday. It was fun and motivating with talks by Sarah Armstrong and Tom Betts.

I got some news last Friday, too. My submission to Winds of Change was accepted! The story is called The Stormchilds and it’s about twins born during a cyclone and the strange aura and power they have. Yay!

I’m working on my novella based on an alternate reality Gold Coast, working title being The Sands Sisters, and also another story for Machine of Death, but I can’t quite nut that last one out. It’s brave new worldy, and my character has decided to run, but I’m not sure where to go from there. I think I’m just exhausted, so there’s that little mountain between me and writing.

Gadolinium

Okay, and I have to share, I had an MRI yesterday. No, it’s nothing to worry about, just an extra double-checking precaution by very careful doctors, but the process was really cool. It was like being in a time machine, and the sounds reminded me of the gigs I used to go to in the late 90s. There was a constant washing machine sort of sound, and another like someone was tapping on rhythm sticks, and many irregular loud blurts. I was wearing earphones, and I even got injected with gadolinium.

So I guess we can expect MRI time machine stories some time soon : )

Helen.


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